Growing up, I knew folk from my community who claimed to be a relation of the infamous Jesse James. I’ve talked to more than one landowner who claims that Sitting Bull and his followers “rode right through the yard” though at the time, it wasn’t a yard yet. The Big Muddy Valley claims the #1 stop on Butch Cassidy and the Sundance Kid’s Outlaw Trail.
All of these claims are…just that. Claims. Whether historically true or not, they conjure evocative images. Why do so many communities want to be affiliated with the tragic, political mess that was the Sitting Bull saga? Why would anyone claim kinship with a notorious criminal? Why are people proud to speak of the Big Muddy’s reputation as a playground for horse and cattle thieves?
In the Old World, there were many folk ballads concerning Robin Hood, the outlaw of Sherwood Forest who famously stole from the rich to give to the poor. In the West, similar ballads about Jesse James emerged, though there was no real evidence he ever held up trains out of any sense of philanthropy. The money he distributed to his followers was to secure loyalty. And yet, the idea of James as a folk hero endures. Sitting Bull is, depending on who you talk to, another folk hero, the man who defeated Custer and defied the American government by seeking refuge in Canada. On our side of the Medicine Line, we grasp onto the Sitting Bull story, make much of the few years he spent in Canada. Certainly, it was a historically significant event. But it is much more significant in our local folklore. Sitting Bull’s story occupies a much larger space in our imaginations and collective memory than in any history textbook.
The cowboy outlaws of the deserts and plains of western North America have been romanticized in film, song, poetry, and in the collective imagination, including here in southern Saskatchewan. Notorious outlaws like Dutch Henry, Sam Kelly, the Pigeon-Toed Kid, and others were known for rustling cattle and horses on the Canadian side of the Line, driving them down to be sold in Montana, then turning around and herding them back up across the Line to be sold again on this side. They had a few tricks to help evade capture, but in the end they all met ignominious ends – either winding up dead somewhere, in jail, or simply fading into obscurity. Their hijinks only lasted a few years, but the stories we tell about them are still going strong.
We venerate the underdog, the rascal, the ones who thumb their noses at the status quo, for they are living out our secret desires to throw off the shackles of whatever our particular life has us chained to – responsibility, poverty, unrequited love, unrealized potential.
The West is a land of myth and legend. Its landscape lends itself to these images – to people who live on the fringes, people who are as wild as the geography itself. I can’t say I wouldn’t want to be a relation to Jesse James myself.

Avonlea Badlands, September 2014.